for the love of words and pictures and true stories
As artists and their artworks co-inhere, as writers and their writings meet at the threshold of seeing and saying, so do I embrace the liminal journey of cultivating story.
Here lives the beating heart of my passion for bringing words and pictures and true stories together.
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Throughout my childhood, I gazed over the shoulder of my artist-magician father as he hand-lettered and illustrated three volumes of Rice's Encyclopedia of Silk Magic with pen and ink (over 1500 pages; 1948, 1953, 1962).
But as a teenager living in a difficult household, I was denied my own library card. Dismissing the 'sunny-book farm' novels at school and resisting my mother's leather-bound classics at home, I preferred instead two forbidden magazines: True Story and True Confessions. Even if their stories were not true—though I believed they were—they conveyed important life lessons.
Hungry for the real and the true, I plastered my teenage diaries with dramatic headlines cut from those taboo magazines to express my own true stories.
And I delved into our volumes of the World Book Encyclopedia; searching the indexes and pouring over the pages of words and pictures and true stories.
Many years ago, I met a woman who was en route from being a journalist in New York to being a novelist in Vermont. "How does a journalist on Friday become a novelist on Monday?" I enquired. "Well," she offered, "as a journalist I have to report the facts, but as a novelist I get to tell the truth."
Fact and truth are not so discrete. Nor is it unusual for fiction and non-fiction to cross paths. As a reader and a writer, I favour the smack and sizzle of a gut-punch of a true story written in literary style. This creative non-fiction form differs from non-fiction per se when memoirists, for example, engage the tools and conventions of fiction to tell our true stories.
And pictures, please!
“Life is not what one lived, but what one remembers and how one remembers it in order to recount it.” —Gabriel García Márquez, Living to Tell the Tale, 2003.
PUBLISHED WORKS | PUBLIC READNGS
“The Risky Business of Translating Resiliency Research into Advocacy Practice.” The Newsletter of the BC Institute Against Family Violence, 7(3), 18–21. Winter 2001.
“The Risky Business of Translating Resiliency Research into Advocacy Practice.” FOCUS on Children and Youth, 5(1), 9–12. 2000.
“Toward Participatory Pedagogy: From Targeting Childhood Risk and Resilience to Teaching Children’s Rights and Responsibilities.” In J. R. Epp (Ed.), Centering on the Margins: The Evaded Curriculum. The Canadian Association for the Study of Women and Education (CASWE), International Institute Proceedings, Vol. 73–80. Ottawa, ON: University of Ottawa. 1998.
“Reconstructing Childhood: Toward a Praxis of Inclusion.” In A. McGillivray (Ed.), Governing Childhood (pp. 225–49). Aldershot ENG: Dartmouth. 1997.
“Dangerous Liaison: The Eugenics Movement and the Educational State.” In J. R. Epp, & A. M. Watkinson (Eds.), Systemic Violence: How Schools Hurt Children (pp. 27–49). London UK: The Falmer Press. 1996.
Review of "Interrogating Incest: Feminism, Foucault and the Law." Canadian Journal of Law and Society, 11, 295–99. Spring, 1996.
“Corporal Punishment in the Family: A Review of Psychology, Sociology, and Women’s Studies Abstracts.” The Ontario Institute for the Prevention of Child Abuse. 1992.
Rewriting Resilience: A Critical Discourse Analysis of Childhood Resilience and the Politics of Teaching Resilience to 'Kids at Risk.' (UBC, 1999)
Abstract and Dissertation available at UBC Library Open Collections: Rewriting Resilience.
and pictures ...
creative non-fiction essays
"The Nature of Silk Creation | The Creation of Silk Culture." La Vie en Soie II. Joanna Staniszkis, Textile Art Exhibit Catalogue. Provence, France: Dora Maar Foundation, L’hôtel de Tingry, Ménerbes. 2022.
"The Creative Spirit." Patricia Gray: Pastels. Vancouver BC: Patricia Gray Inc., 5–9. 2016.
“The Dark Path of the Fairy Tale Forest: Journeying Deep into Lesley Richmond’s Tree Series.” Surface Design Journal, 36(1), 12–15. 2011.
“From Alchemy to Art: Les Éditions Lucie Lambert.” The wisdom of the imagination: The livres d’artiste of Lucie Lambert. (Sheila Martineau, Ed. & Designer). Vancouver BC: Simply Read Books, 1–27. 2010. View flipbook.
“The Fruit of the Creative Spirit is the Work of Art Itself.” Portfolio Collection: Lesley Richmond. (Vol. 40, M. Koumis, Ed.). London UK: Telos Art Publishing, 13–28. 2007.
“The Secret Life of Cocoons: The Silk Project of Textile Artist Joanna Staniszkis.” NUVO Magazine, 9, 89–91. 2006. View flipbook.
“MetalMorphosis: Worlds Within Worlds with Joanna Staniszkis.” Surface Design Journal, 29(4), 24–9. 2005.
“Les Éditions Lucie Lambert: Livres d’artiste and the Wisdom of the Imagination.” Amphora, 139, 6–19. 2005. (Design/reprint, illustrated, Artistory, 1–22, 2007.)
Finding A Good Fit: The Life and Work of Architect Rand Iredale. Vancouver BC: BLUEimPRINT / Granville Island Publishing. (Editor, Designer). Co-author with Kathryn Iredale. 2008.
and true stories
"In the Dying Room." Writers' Union of Canada annual short non-fiction prose competition. 2022. [one of 12 juried finalists out of 482 submissions]
Note from a juror: "Gripping, with evocative details that also conjure up a sense of rawness and the willingness to look on terrible things. The care the voice employs indicates a speaker who is finally coming to face what's unbearable, and the story brings the reader on this courageous journey.”
"In Each Lovely Thing" (2022). [Companion essay to "In the Dying Room"]
"A Beautiful Beast: Finding My Piano." In D. Elza (Ed.), Emerge 14: The Writers Studio Anthology. Vancouver BC: Simon Fraser University, 84–89. 2014.
literary memoir (in the works!)
I wanted to tell you this: a memoir of magic, music, and madness.
"Smoke and Mirrors." Recorded for Writers Radio, 2022. Play broadcast.
"Smoke and Mirrors." The Writers' Studio, SFU. Cottage Bistro, 2017.
"Dick Tracy: A True Story." The Writers' Studio, SFU. Cottage Bistro, 2016.
"The Master Plan." Vancouver Manuscript Intensive. Havana Café Theatre, 2015.
"The Assemblages." The Writers' Studio, SFU. Cottage Bistro, 2014.
The Vignettes: Staying Home Alone with Maxine. Self-published, 2020. A series of vignettes composed and photographed during the 2020 Covid lockdown in BC. View flipbook.